Art Deco painting interior with ladies at tea time - Paintings - Items by category

Painting Pour un soir.

Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in Morbihan. In gallery since 2018, Frédérique TRISTANT is both a specialist in semiotics, holder of a doctorate from the University of Bordeaux, and a painter whose training has been validated by a CAPES. This dual training permeates her work, offering beyond its graphic aspect, a reflection on the nature of representation resulting from the university course on the image of bodies through the tools of reproduction (photographs, videos) and investigation scientific (radiology, scanner, MRI etc.). From this reflection, she seeks the limit, the tension between the physical reality of skins and bodies and the dreamlike vision offered by representation: subtle recreation of this reality in a two-dimensional space materialized by a few pictorial layers finer than the epidermis. She explains: “As in my research on the first photographic atlas of dermatology by Dr. Hardy and Montmeja in 1868, I retouch each portrait with watercolor and acrylic paint. I appropriate a physiognomy that I reshape and remake as I wish. I refine my masks which tell women's stories like the diary of our melancholy, our absences and our sensuality”

Painting Regarde moi.

Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in Morbihan. In gallery since 2018, Frédérique TRISTANT is both a specialist in semiotics, holder of a doctorate from the University of Bordeaux, and a painter whose training has been validated by a CAPES. This dual training permeates her work, offering beyond its graphic aspect, a reflection on the nature of representation resulting from the university course on the image of bodies through the tools of reproduction (photographs, videos) and investigation scientific (radiology, scanner, MRI etc.). From this reflection, she seeks the limit, the tension between the physical reality of skins and bodies and the dreamlike vision offered by representation: subtle recreation of this reality in a two-dimensional space materialized by a few pictorial layers finer than the epidermis. She explains: “As in my research on the first photographic atlas of dermatology by Dr. Hardy and Montmeja in 1868, I retouch each portrait with watercolor and acrylic paint. I appropriate a physiognomy that I reshape and remake as I wish. I refine my masks which tell women's stories like the diary of our melancholy, our absences and our sensuality”

Painting Le plus beau jour.

Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in Morbihan. In gallery since 2018, Frédérique TRISTANT is both a specialist in semiotics, holder of a doctorate from the University of Bordeaux, and a painter whose training has been validated by a CAPES. This dual training permeates her work, offering beyond its graphic aspect, a reflection on the nature of representation resulting from the university course on the image of bodies through the tools of reproduction (photographs, videos) and investigation scientific (radiology, scanner, MRI etc.). From this reflection, she seeks the limit, the tension between the physical reality of skins and bodies and the dreamlike vision offered by representation: subtle recreation of this reality in a two-dimensional space materialized by a few pictorial layers finer than the epidermis. She explains: “As in my research on the first photographic atlas of dermatology by Dr. Hardy and Montmeja in 1868, I retouch each portrait with watercolor and acrylic paint. I appropriate a physiognomy that I reshape and remake as I wish. I refine my masks which tell women's stories like the diary of our melancholy, our absences and our sensuality”

Painting La Tresse.

Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in Morbihan. In gallery since 2018, Frédérique TRISTANT is both a specialist in semiotics, holder of a doctorate from the University of Bordeaux, and a painter whose training has been validated by a CAPES. This dual training permeates her work, offering beyond its graphic aspect, a reflection on the nature of representation resulting from the university course on the image of bodies through the tools of reproduction (photographs, videos) and investigation scientific (radiology, scanner, MRI etc.). From this reflection, she seeks the limit, the tension between the physical reality of skins and bodies and the dreamlike vision offered by representation: subtle recreation of this reality in a two-dimensional space materialized by a few pictorial layers finer than the epidermis. She explains: “As in my research on the first photographic atlas of dermatology by Dr. Hardy and Montmeja in 1868, I retouch each portrait with watercolor and acrylic paint. I appropriate a physiognomy that I reshape and remake as I wish. I refine my masks which tell women's stories like the diary of our melancholy, our absences and our sensuality”

Painting La Discrète.

Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in Morbihan. In gallery since 2018, Frédérique TRISTANT is both a specialist in semiotics, holder of a doctorate from the University of Bordeaux, and a painter whose training has been validated by a CAPES. This dual training permeates her work, offering beyond its graphic aspect, a reflection on the nature of representation resulting from the university course on the image of bodies through the tools of reproduction (photographs, videos) and investigation scientific (radiology, scanner, MRI etc.). From this reflection, she seeks the limit, the tension between the physical reality of skins and bodies and the dreamlike vision offered by representation: subtle recreation of this reality in a two-dimensional space materialized by a few pictorial layers finer than the epidermis. She explains: “As in my research on the first photographic atlas of dermatology by Dr. Hardy and Montmeja in 1868, I retouch each portrait with watercolor and acrylic paint. I appropriate a physiognomy that I reshape and remake as I wish. I refine my masks which tell women's stories like the diary of our melancholy, our absences and our sensuality”

Painting Femme Fatale

Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in Morbihan. In gallery since 2018, Frédérique TRISTANT is both a specialist in semiotics, holder of a doctorate from the University of Bordeaux, and a painter whose training has been validated by a CAPES. This dual training permeates her work, offering beyond its graphic aspect, a reflection on the nature of representation resulting from the university course on the image of bodies through the tools of reproduction (photographs, videos) and investigation scientific (radiology, scanner, MRI etc.). From this reflection, she seeks the limit, the tension between the physical reality of skins and bodies and the dreamlike vision offered by representation: subtle recreation of this reality in a two-dimensional space materialized by a few pictorial layers finer than the epidermis. She explains: “As in my research on the first photographic atlas of dermatology by Dr. Hardy and Montmeja in 1868, I retouch each portrait with watercolor and acrylic paint. I appropriate a physiognomy that I reshape and remake as I wish. I refine my masks which tell women's stories like the diary of our melancholy, our absences and our sensuality”

Pair of paintings Violette & Capucine.

Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in Morbihan. In gallery since 2018, Frédérique TRISTANT is both a specialist in semiotics, holder of a doctorate from the University of Bordeaux, and a painter whose training has been validated by a CAPES. This dual training permeates her work, offering beyond its graphic aspect, a reflection on the nature of representation resulting from the university course on the image of bodies through the tools of reproduction (photographs, videos) and investigation scientific (radiology, scanner, MRI etc.). From this reflection, she seeks the limit, the tension between the physical reality of skins and bodies and the dreamlike vision offered by representation: subtle recreation of this reality in a two-dimensional space materialized by a few pictorial layers finer than the epidermis. She explains: “As in my research on the first photographic atlas of dermatology by Dr. Hardy and Montmeja in 1868, I retouch each portrait with watercolor and acrylic paint. I appropriate a physiognomy that I reshape and remake as I wish. I refine my masks which tell women's stories like the diary of our melancholy, our absences and our sensuality”

Art Nouveau bronze frame with bird and pinecones.

The dictionary of sculptors in bronze, James Mackay. Antique collectors club. Benezit, Dictionary of artists, Gründ.

Art Nouveau bronze lamp with lady.

Etains 1900, Philippe Dahan. Les editions de l’amateur. The dictionary of sculptors in bronze, James Mackay. Antique collectors club. Bronzes, sculptors and founders, H. Berman, Abage.

Art Deco sculpture woman with spear.

Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours, Jean Charles Hachet. Argus Valentines.

Art Deco bronze sculpture athlete with bow.

Bronzes, sculptors and founders by H. Berman, Abage. Art Deco sculpture by Victor Arwas, Academy. Art Deco and other figures by Brian Catley, Antique collectors club. Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs by E. Benezit. Gründ. The dictionary of sculptors in bronze by James Mackay. Antique collectors club Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours by Jean Charles Hachet. Argus Valentines.

Art Deco sculpture nude disc dancer.

Statuettes of the Art Deco period, Alberto Shayo.


Benezit, dictionary of artists, Gründ. Dictionnaire Biographique des artistes contemporains, Edouard Joseph, 1931 Louis Marie DE SCHRYVER Born in Paris in 1862, Louis-Marie De Schryver grew up in an intellectual environment. His father was a well-known journalist. Louis-Marie's artistic talent was precocious. As early as 1876, at only 13 years old and self-taught, he exhibited two floral still-lifes at the Salon: Daisies and Chrysanthemums and Violets and Spring Flowers. The following year, he entered the studio of Philippe Rousseau (1816-1887), a painter of landscapes and genre scenes, and continued to exhibit at the Salon while completing his training with him. In 1879, he won a bronze medal at the Sydney World's Fair with his painting The Lilacs. In 1886, he took a studio in Paris and specialized in the representation of scenes of daily life, often including a flower seller and her customers. This theme, which he used over and over again, enabled him to achieve international recognition and financial prosperity. In 1888, he became a member of the Society of French Artists. In 1891, he joined the studio of the orientalist painter and portraitist Gabriel Ferrier (1847-1914) who was then a renowned teacher. He thus completed his training, before asserting himself in the art of portraiture. At the 1900 Universal Exhibition in Paris, he was awarded a gold medal. That same year, he bought a house in Neuilly and settled there. At the beginning of the 20th century, he turned to painting car races and developed his style towards impressionism. However, as this theme and style did not meet with the expected commercial success, De Schryver returned to his favorite themes: portraits, still-lifes and scenes of Parisian life. After the First World War, from 1919 to 1925, he travelled to the occupied Rhineland to paint landscapes. He continued to exhibit sporadically at the Salon during the interwar period. He died at Neuilly on December 6, 1942 at the age of 80. Work in Musea: Cambrai - Le marchand des quatre saisons, 1895 Musée de la Voiture, Compiègne - L'arrivée du vainqueur au Premier prix de l'Automobile Club Musée de l'Armée, Paris - Le drapeau Musée d'Art Moderne de la Ville, Paris - Porte de Paris Musée Tavet-Delacour, Pontoise - Nature morte 1879 Tourcoing - Mes dernières fleurs 1886

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